Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

Archive of Scientific Articles

ISSUE:    Manuscript. 2023. Volume 16. Issue 3
COLLECTION:    Theory and history of Culture and Art

All issues

License Agreement on scientific materials use.

“The Bells” by Sergei Rachmaninoff: The poem “The Bells” by Edgar Allan Poe in the translation by Konstantin Balmont as a source for the birth of an individual musical form. Part II: Structure peculiarities

Tatiana Anatolevna Svistunenko
Saratov State Conservatoire


Submitted: September 26, 2023
Abstract. This paper is the second part of the publication: Svistunenko T. A. “The Bells” by Sergei Rachmaninov: The poem “The Bells” by Edgar Allan Poe in the translation by Konstantin Balmont as a source for the birth of an individual musical form. Part I: background and history of creation // Manuscript. 2023. Vol. 16. Iss. 2. The first part gave a description of E. A. Poe’s creative work and his aesthetic views; characterised the general composition of K. D. Balmont’s translation of E. A. Poe’s poem “The Bells” and presented the history of creation of the poem “The Bells” by S. V. Rachmaninoff and the public perception of this work. In this article, the author conducts a detailed analysis of each of the four parts of S. V. Rachmaninoff’s poem “The Bells”, which makes it possible to identify a number of general patterns inherent in the composition as a whole. As a result, the peculiarities of main theme development in each part of the work have been determined; it has been substantiated that in S. V. Rachmaninoff’s poem “The Bells”, there is a special type of a main theme, which, despite being one of several “seeds”, develops according to monothematic laws. All the structure peculiarities in the poem testify to the creator’s individuality and the composer’s nuanced solution of questions of musical form, which reflects his desire to convey the very essence of the content of the poetic work in music.
Key words and phrases:
симфоническая поэма «Колокола» С. В. Рахманинова
поэма “The Bells” Э. А. По
музыкальная поэма для симфонического оркестра
структурные особенности
лейттема
symphonic poem “The Bells” by S. V. Rachmaninoff
poem “The Bells” by E. A. Poe
musical poem for symphony orchestra
structure peculiarities
main theme
Reader Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
  1. Асафьев Б. Хоровая культура // Асафьев Б. Русская музыка от начала XIX столетия. Л.: Музыка, 1968.
  2. Асафьев Б. С. В. Рахманинов // Асафьев Б. Избранные труды: в 5-ти т. М.: Изд-во Академии наук СССР, 1954. Т. 2.
  3. Бобровский В. О переменности функций музыкальной формы. М.: Музыка, 1970.
  4. Житомирский Д. Фортепианное творчество Рахманинова // Советская музыка. 1945. № 4.
  5. Мазель Л. О лирической мелодике Рахманинова // Мазель Л. О мелодии. М.: Государственное музыкальное издательство, 1962.
  6. Протопопов В. Позднее симфоническое творчество Рахманинова // С. В. Рахманинов: сб. ст. и мат. / под ред. Т. Цытович. М. – Л.: Музгиз, 1947.
  7. Рахманинов С. Музыка должна говорить языком сердца // Музыкальная жизнь. 1966. № 12.
  8. Шагинян М. Воспоминания о С. В. Рахманинове // Воспоминания о Рахманинове: в 2-х т. / сост., ред., прим. и предисл. З. Апетян. Изд-е 2-е, доп. М., 1961. Т. II.
All issues


© 2006-2025 GRAMOTA Publishing