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License Agreement on scientific materials use.
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THEATRE AS THE FORM OF ALBERT CAMUS'S SELF-EXPRESSION
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Nargiza Tolibovna Salomova
Bukhara State University
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Submitted:
July 20, 2010
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Abstract.
The article reveals the main problems of tragical works creation according to Albert Camus. The author analyzes the reasons of diverse critics' attitude to the writer's dramatic works, to his attempts to find a special language able to express the problems of his epoch.
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Key words and phrases:
театр
драматургия
трагедия
трагизм
трагическое выражение
трагический язык
метафизический план
игровой план
theatre
dramatic works
tragedy
tragic element
tragical expression
tragical language
meta-physical plan
live-action plan
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References:
- Bartfeld F. L'effet tragique. Paris-Geneve: Champion-Slatkine, 1988.
- Boisdeffre P. Camus. «Camus et son destin». Paris: Hachette, 1964.
- Camus A. Carnets I (mai 1935 - fevrier 1942). Paris: Gallimard, 1962.
- Camus A. Le Mythe de Sisyphe. Paris: Gallimard; Folio essais, 1992.
- Camus A. Noces suivi de L'Ete. Folio, 1993.
- Camus A. Théâtre, Récits, Nouvelles. Paris: Gallimard, 1962.
- Dengler-Gassin R. Actes du colloque tenu à Amiens du 31 mai au 2 juin 1988 [Électronique Ressource]. Paris: Imec Editions, 1992. URL: http://www.amazon.fr/.
- Gascar P. Camus. Paris: Hachette, 1964.
- Gay-Crosier R. Les envers d'un échec, étude sur le theatre d'Albert Camus. Minard, 1967.
- Kamel S. La condition humaine dans le théâtre d'Albert Camus. Thèse: Grenoble, 1993.
- Lebesque M. Camus. Paris-Seuil: Ecrivains de toujours, 1963.
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