Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Philology. Theory & Practice. 2016. Issue 12-3
COLLECTION:    Study of Literature

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THE NATURE OF A MUSICAL IMAGE IN THE POETRY OF V. SHERSHENEVICH

Marina Vladimirovna Novikova
Voronezh State Technical University


Submitted: December 1, 2016
Abstract. The article reveals the notion of musicality in the creative work of V. Shershenevich. The parallel between his theoretical views on poetry and the practical implementation is drawn. It is revealed that musical images appear in the lyrics of the poet as musical instruments, musical terminology, or song themes and sounds of nature. At the same time each of the stated musical expressions are presented in inseparable connection with the personal feelings of the hero or are directed to convey them.
Key words and phrases:
музыкальные образы
музыкальные инструменты
песни
поэзия
мотив
лирическое начало
лирический герой
В. Шершеневич
musical images
musical instruments
songs
poetry
motif
lyrical beginning
lyrical hero
V. Shershenevich
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References:
  1. Бердинский В. История русской поэзии. Модернизм и авангард. М.: Ломоносов, 2013. 480 с.
  2. Вадим Шершеневич [Электронный ресурс] // Русская поэзия. URL: http://rupoem.ru/shershenevich/all.aspx (дата обращения: 01.11.2016).
  3. Иванова Е. А. Творчество В. Шершеневича: теоретические декларации и поэтическая практика / науч. ред. А. И. Ванюков. Саратов: Изд. Центр «Наука», 2008. 144 с.
  4. Свирель [Электронный ресурс] // История вещей. URL: http://история-вещей.рф/muzyika/svirel.html (дата обращения: 01.11.2016).
  5. Шершеневич В. Стихотворения и поэмы. СПб.: Академический проект, 2000. 368 с.
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