|
License Agreement on scientific materials use.
|
|
|
Chronotope as Means of Fiction Prose Subjectivization (Based on Virginia Woolf’s Novel “To the Lighthouse”)
|
Nataliya Vladimirovna Belozerova
St. Petersburg University of the State Border Service of the Ministry of Emergency Situations of Russia
Elena Aleksandrovna Zhindeeva
Mordovian State Pedagogical University named after M. E. Evsevyev, Saransk
Aleksandr Aleksandrovich Lugovoi
St. Petersburg Law Institute (Branch) of the University of the Prosecutor’s Office of the Russian Federation
|
|
Submitted:
June 30, 2022
|
|
Abstract.
The aim of the article is to consider the genesis and development of the “chronotope” notion definition in natural sciences and the humanities, the relationship of its elements in literary criticism. The paper reveals the significance of the subjective measurement of the space-time coordinate system in the structure of the chronotope embodied in the literature of the “stream of consciousness”. The scientific novelty of the research lies in studying the means of constructing a model of the world in literary characters’ minds by the example of Virginia Woolf’s novel “To the Lighthouse”, on the basis of which the most characteristic means for the writer’s idiostyle are determined revealing the observer’s subjective position in the novel (the use of lexico-semantic fields, internal monologue, polylogue, grammatical tense, etc.). As a result, it is proved that the ways of embodying the opposition associated with the concept of time are eternal/transient, the use of such stylistic means as symbolism, the use of a figurative code, allusion allow Virginia Woolf to construct a special chronotope of consciousness.
|
Key words and phrases:
хронотоп
поток сознания
пространство
время
точка зрения
chronotope
stream of consciousness
space
time
point of view
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Бахтин М. М. Фрейдизм. Формальный метод в литературоведении. Марксизм и философия языка: статьи. М.: Лабиринт, 2000.
- Гаврицков А. Н. Нарративные функции интерлюдий в романах В. Вулф «На маяк» и «Годы» // Вестник Ивановского государственного университета. 2021. № 1. DOI: 10.46726/H.2021.1.2
- Зинченко В. П. Сознание и творческий акт. 2010. URL: https://biblioclub.ru/index.php?page=book&id=213342
- Кобылянская А. И. Символизм в произведении В. Вулф «На маяк» // Символ науки. 2016. № 2.
- Марова Н. Д. Парадигмы интерпретации текста: монография: в 2-х ч. Екатеринбург: УГПУ, 2006. Ч. 1.
- Пешков И. В. М. М. Бахтин: от философии поступка к риторике поступка. М.: Лабиринт, 1996.
- Ухтомский А. А. Доминанта. СПб.: Питер, 2002.
- Франк Дж. Пространственная форма в современной литературе. М.: Директ-Медиа, 2007.
- Basirizadeh F. S., Birgani S. Z., Raoufzadeh N. Concept of Time in Virginia Woolf’s To the Lighthouse: Bergsonian Study // Linglit Journal: Scientific Journal of Linguistics and Literature. 2021. Vol. 2. DOI: 10.33258/linglit.v2i2.460
- Bojesen E. The Education of Consciousness: Virginia Woolf’s The Waves // Foro de Educación. 2018. Vol. 16 (24). URL: DOI: 10.14516/fde.580
- Özkaya R. Woolf in Space: Subversive Interventions in the Contemporary Spatial Constructions and Discourses of the Dominant Socio-Spatial Order in Virginia Woolf’s Fiction. 2021. URL: https://open.metu.edu.tr/bitstream/handle/11511/89593/12626040.pdf
- Saunders R. Language, Subject, Self: Reading the Style of “To the Lighthouse” // Novel: A Forum on Fiction. 1993. Vol. 26. No. 2. DOI: 10.2307/1345687
- Tally R. The Space of the Novel // The Cambridge Companion to the Novel / ed. by E. Bulson. Cambridge: Cambridge University Press, 2018. DOI: 10.1017/9781316659694.011
- Woolf V. To the Lighthouse // Woolf V. The Selected Works of Virginia Woolf. Hertfordshire: Wordsworth Library Collection, 2007.
|
|
Русский
