|
License Agreement on scientific materials use.
|
|
|
Image of William Shakespeare in the story “A Meeting in Valladolid” by A. Burgess
|
Ekaterina Vladimirovna Smyslova
Kazan Federal University
Liliya Fuatovna Khabibullina
Kazan Federal University
|
|
Submitted:
September 19, 2024
|
|
Abstract.
The research aims to shed light on the image of William Shakespeare as presented in A. Burgess’s story “A Meeting in Valladolid”. The lack of scholarly attention to this work, which has never been explored in either Russian or foreign literary studies, contributes to the scientific novelty of both the research itself and its results. The article analyzes the key features of Shakespeare’s image within the context of Burgess’s concept of the creative personality. The paper also examines the role of other characters in the story to fully understand the main character. The research concludes that Burgess recreates and expands upon his concept of William Shakespeare in “A Meeting in Valladolid”. While Burgess’s typical portrayal of Shakespeare as a pragmatic Englishman and gifted writer is present, the story also highlights the humanist dimension of the English playwright. This is achieved through a contrast between the two literary geniuses of the Renaissance, William Shakespeare and Miguel de Cervantes, and an exploration of the fundamental differences between Spanish and English cultures. These differences explain the clash between the two nations and their distinct cultural models, rooted in political, religious, and cultural conflicts between the nations.
|
Key words and phrases:
Энтони Бёрджесс
образ Уильяма Шекспира
образ Мигеля де Сервантеса
английская литература ХХ века
Anthony Burgess
image of William Shakespeare
image of Miguel de Cervantes
20th-century English literature
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Попова М. К. «Влюбленный Шекспир» Энтони Берджесса: перевод как искажение смысла // Социокультурные проблемы перевода. 2010a. № 9.
- Попова М. К. Шекспировские мотивы в современном английском романе // Постмодернизм и культурная память: проблема ценностных ориентиров: материалы всероссийской конференции. Воронеж: ИИТОУР-Полиграф, 2010b.
- Ржанская Л. П. Берджесс и Шекспир // Английская литература XX века и наследие Шекспира / ред. А. П. Саруханян. М.: Наследие, 1997.
- Хабибуллина Л. Ф. Антиутопия в творчестве Энтони Бёрджесса: дисс. … к. филол. н. Казань, 1993.
- Хабибуллина Л. Ф. «Шекспировский» контекст творчества Энтони Бёрджесса // Филология и культура. 2015. № 1 (39).
- Aggeler G. Anthony Burgess. The Artist as Novelist. Tuscaloosa: The University of Alabama Press, 1979.
- Clarke J. The Aesthetics of Anthony Burgess: Fire of Words. L.: Palgrave Macmillan, 2017.
- Coale S. Anthony Burgess. N. Y.: Frederick Ungar Publishing Co, 1981.
- De Vitis A. Anthony Burgess. N. Y.: Twayne Publishers, 1972.
- Smyslova E. V., Khabibullina L. F. Aesthetics as an Aspect of Good in Enderby Novels by Anthony Burgess // Tarih Kültür ve Sanat Araştirmalari Dergisi (Journal of History Culture and Art Research). 2017. Vol. 6. Iss. 5.
- Stinson J. Anthony Burgess Revisited. Boston: Twayne Publishers, 1991.
|
