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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2011. № 2. Part 1. P. 37-39. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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EARLY PERIOD IN JEAN-LUC GODARD'S CREATIVITYOR CITING AS THE METHOD OF ANTI-CINEMA CREATION

Vinogradov Vladimir Vyacheslavovich
Department of Film Art Study of All-Russian University of Cinematography named after S. A. Gerasimov


Abstract. The article is devoted to the early period of the creativity of one of the main cinematograph reformers of the 60s - Jean-Luc Godard. The basic artistic strategies of the producer of this period are tackled in the article. The author pays special attention to the problem of Godard's specific model of anti-cinematograph devoid of traditional narrative components.
Key words and phrases: "камера-перо", "новая волна", "синема-верите", механизм цитирования, ризома, "camera-pen", "new wave", "cinema verite", citing mechanism, rhizome.
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References:
  1. Bor'ba na dva fronta Zhan-Lyuk Godar i gruppa Dziga Vertov. 1968-1972: sb. statei / sost. i per. K. Medvedev, K. Adibekov, B. Nelepo, S. Doroshenko. M.: Svobodnoe marksistskoe izdatel'stvo, 2010.
  2. Po E. A. Izbrannoe. M.: Khudozhestvennaya literatura, 1984.
  3. Astruc A. Naissance d'une nouvelle avant-garde: la camera-stylo // L'Ecran francais. 1948. № 144. 30 mars.

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