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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. 11. Part 2. P. 160-162. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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OPERATIC "MODERN TREND" OF THE 1920S AND ITS RECEPTION

Uchitel' Konstantin Aleksandrovich
Saint Petersburg State Theatre Arts Academy


Abstract. The article is devoted to the experience of staging "modern" West European operas on the soviet stage in the 1920s, first of all, in the Mikhaylovsky Theatre and in the State Academic Theatre of Opera and Ballet (the Mariinsky Theatre) in Leningrad. The author examines the reception of operatic "modern trend" in the soviet art and art criticism of the 1930-1950s, reconsiders the role of this phenomenon in the development of national musical theatre.
Key words and phrases: "modern" opera, soviet opera house, the State Academic Theatre of Opera and Ballet (the Mariinsky Theatre), the Mikhaylovsky Theatre, struggle with formalism.
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References:
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  2. Gvozdev A. A. Nos - opera Shostakovicha // Krasnaya gazeta. 1930. 20 yanvarya.
  3. Sollertinskii I. I. Leningradskie muzykal'nye teatry v 1921-1928 gg. Obshchii plan raboty // Rossiiskii institut istorii iskusstv. Kabinet rukopisei. F. 31.
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  5. Uchitel' K. "Novosti dnya": MALEGOT i Khindemit - nesostoyavsheesya sotrudnichestvo // Muzykal'naya akademiya. 2008. 2. S. 38-50.
  6. Uchitel' K. Chetyre "Dzhonni": opera Ernesta Ksheneka v SSSR // Muzykal'naya zhizn'. 2013. 4. S. 78-81.

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