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SOURCE:   Manuscript. Tambov: Gramota, 2019. № 10. P. 277-282. ISSN 2618-9690.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2019.10.55

MULTI-MEANINGFUL CONSTRUCTIONS AS A METHOD TO IDENTIFY AESTHETICS OF A THEATRICAL PERFORMANCE

Alesenkova Viktoriya Nikolaevna
Saratov State Conservatoire


Submitted: 30.08.2019.
Abstract. The article is devoted to analysing systemic models of meaning formation, which take a form of multi-meaningful constructions and combine visual and mental space of a performance in the context of theatrical art. Identifying four types of meaning formation within the vectors of myth-creation and performativity, including allegoric and mysterial levels of a viewer’s perception, contributes to ascertaining the dominating aesthetics of a theatrical event: metaphorical (poetical), post-dramatic and post-modernist. Studying the mental sphere of a performance, which is equivalent to a cognitive process, broadens considerably the framework of theatrological analysis.
Key words and phrases: транссмысловые конструкции, мифотворчество, перформативность, эстетика театра, мифический концепт, символ, метафора, multi-meaningful constructions, myth-creation, performativity, theatrical aesthetics, mythical concept, symbol, metaphor.
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