SONATA CYCLIC FORM AND SPECIFICITY OF ITS INTERPRETATION IN F. LISZT’S PIANO CONCERT № 1
Genebart Ol'ga Vasil'evna
Tambov State Musical Pedagogical Institute named after S. V. Rachmaninov
Submitted: 08.09.2019
Abstract. The article summarizes and clarifies the basic provisions of the sonata cyclic form theory. The author focuses on analysing F. Liszt’s Piano Concert № 1 as a compositional model of the piano concert sonata cyclic form that was widely used by domestic and foreign composers of the XIX-XX centuries. The paper examines the compositional arrangement of the parts and the whole, identifies the components representing invariant features of the sonata form, the attributes of a sonata-symphonic cycle and reveals the means of individualization of the author’s compositional and dramaturgic decision.
Key words and phrases: сонатно-циклическая форма, синтез, инвариант, жанровая трансформация, монотематизм, принцип цепляемости, эпизод, тональность, sonata cyclic form, synthesis, invariant, genre transformation, mono-thematicity, chain principle, episode, tonality
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Русский
