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License Agreement on scientific materials use.
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“FATAL WOMAN” IN THE ROMANTICISM LITERATURE: ON THE ORIGIN OF LOLITA IMAGE IN V. V. NABOKOV’S NOVEL
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Elena Vasil'evna Antoshina
Tomsk Polytechnic University
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Submitted:
July 1, 2017
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Abstract.
The article examines the origin of Lolita image in the context of European romanticism. The paper analyzes the transformation of “child-wife” image, underlying the patriarchal culture, into the “fatal woman” image. The author describes the images included into the “fatal woman” discursive line. This line traces its origin to the images of Venus, gypsy woman, kidnapped child, and vampire. The researcher identifies typical emotional experiences of romantic characters, their similarity and difference with V. V. Nabokov’s personages.
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Key words and phrases:
В. В. Набоков
В. Гюго
П. Мериме
русская литература ХХ в
американская литература ХХ в
«Лолита»
романтизм
история дискурса
V. V. Nabokov
V. Hugo
P. Mérimée
Russian literature of the XX century
American literature of the XX century
“Lolita”
romanticism
history of discourse
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References:
- Классик без ретуши. Литературный мир о творчестве Владимира Набокова: критические отзывы, эссе, пародии / под общей редакцией Н. Г. Мельникова. М.: Новое литературное обозрение, 2000. 688 с.
- Набоков В. В. Лолита: роман, рассказ. Харьков - М.: Фолио; АСТ, 1997. 431 с.
- Проффер К. Р. Ключи к «Лолите» / пер. с англ. СПб.: Симпозиум, 2000. 302 с.
- Churchill B. A. The Lolita Phenomenon: The Child (femme) fatale at the Fin de siecle: doctoral dissertation. Edmonton, Canada, University of Alberta, 2003. 256 p.
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