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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2011. № 2. Part 2. P. 38-43.
SCIENTIFIC AREA:    Study of Art
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THE BIRTH OF THE SECOND WAVE OF THE FRENCH CINEMA AVANT-GARDE

Vinogradov Vladimir Vyacheslavovich
Department of Film Art Study of All-Russian University of Cinematography named after S. A. Gerasimov


Abstract. The article is devoted to the very first works of the second wave of the French cinema avant-garde, which was started with Dadaistic experiments. Artistic practice of Dadaism becomes the basis for the renewal of the existing cinematograph model of the 1920s. In the article the author pays attention not only to the description of the general situation connected with the avant-garde origin but also to the analysis of some of the symbolic works of this trend.
Key words and phrases: дадаизм, киноавангард, рейограмма, анаграмма, сюрреализм, хронотография, Dadaism, cinema avant-garde, rayogram, anagram, surrealism, chronotography
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References:
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  2. Khyubner K. Istina mifa / per. s nem. M.: Respublika, 1996.
  3. Breton Andre. Les mots sans rides // Litterature. 2e serie. 1922. № 7. Decembre.
  4. DADA almanach / Richard Huelsenbeck // Les presses du reel: avant-gardes. Paris: Champ Libre edition, 1980.
  5. Duchamp Marcel. Duchamp du signe. Flammarion, 1975.
  6. Ecrits critiques / pref. Bernard Noel; ed. Carole Boulbes. Paris: Memoire du Livre, 2005.
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  8. Man Ray. Autoportrait. Paris: Robert Laffort, 1964.
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