Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2011. ¹ 7. Part 2. P. 155-158.
THE YOUNG LADIES OF AVIGNON BY PICASSO AS THE PROLOGUE TO THE NEW ART OF THE XXTH CENTURY
Musaev Ruslan Magomedovich Moscow
Abstract. The author reveals the unique character of Pablo Picasso's painting The Young Ladies of Avignon as the phenomenon of early cubism form, pays special attention to the preconditions of its creation and explains the nature of the artist's creative temperament in the context of his transitional periods.
Key words and phrases: Ïàáëî Ïèêàññî, "Àâèíüîíñêèå äåâèöû", êóáèçì, èñêóññòâî ïðèìèòèâà, íîâûå ôîðìû â èñêóññòâå, Pablo Picasso, "The Young Ladies of Avignon", cubism, primitive art, new forms in art.
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References:
German M. Yu. Parizhskaya shkola. M.: Slovo, 2003.
Dmitrieva N. A. Pikasso. M., 1971.
Lorka F. G. Ob iskusstve. M., 1971.
Mastera iskusstva ob iskusstve. M., 1969. T. 5.
Prokof'ev V. N. Ob iskusstve i iskusstvoznanii: stat'i raznykh let. M.: Sovetskii khudozhnik, 1985.
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