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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 11. Part 2. P. 137-139.
SCIENTIFIC AREA:    Culturology
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Meleshkina Elena Anatol'evna
Russian State Social University in Moscow

Abstract. The author considers the piano suite cycles of romantic epoch from the positions of the knowledge about a composer's creativity dialectics that the XXth century gave to a modern musician, searches for those points of intersection, which return a man to many ideas of romanticism epoch in our times in order to understand and realize the real ways of the comprehension of this artistic world integrity, and as an example chose not too popular R. Schumann's cycles with a view to prove their great artistic significance and the benefits of studying for a modern musician.
Key words and phrases: романтическая эпоха, метод "монтажей-коллажей", творческий метод, интерпретации фортепианных циклов, сюитные композиции, искусство "потока сознания", "шумановский пианизм", движение образов, romantic epoch, method of "arrangements-collages", creative method, interpretations of piano cycles, suite compositions, art of "consciousness stream", "Schumann's pianism", images motion
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