GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pan-ArtPedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 3. Part 1. P. 54-62.
SCIENTIFIC AREA:    Study of Art
Procedure of Scientific Articles Publication | To Show Issue Content | To Show All Articles in Section | Subject Index

License Agreement on scientific materials use.

"NEUF PREUX" AND "UOMINI FAMOSI": TO THE QUESTION OF TWO POPULAR TOPICS CORRELATION IN FINE ARTS OF LATE MIDDLE AGES AND NORTHERN RENAISSANCE

Voroshen' Veronika Alekseevna
Moscow State University named after M. V. Lomonosov


Abstract. The author analyzes the key stages of the development of the topics Neuf Preux (Nine Heroes) and uomini famosi (famous men) in fine arts of late Middle Ages and Northern Renaissance, and, basing on the analysis of monuments (engravings, tapestries, frescoes) and iconographic sources (texts devoted to heroes), presents the general scheme of two topics evolution during three centuries, from the originated in parallel phenomena of the XIVth century till their synthesis in the monuments of the XVIth century.
Key words and phrases: иконография, позднее Средневековье, Северное Возрождение, гравюра, шпалера, Neuf Preux, uomini famosi, аллегория, iconography, late Middle Ages, Northern Renaissance, engraving, tapestry, Neuf Preux, uomini famosi, allegory
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
  1. Averintsev S. S. Dobryi Plutarkh rasskazyvaet o geroyakh, ili Schastlivyi brak biograficheskogo zhanra i moral'noi filosofii // Plutarkh: sravnitel'nye zhizneopisaniya: v 2-kh t. / red. S. S. Averintsev, M. L. Gasparov, S. P. Markish. M.: Nauka, 1994. T. 1. 702 s.
  2. Gurevich A. Ya. Izbrannye trudy: kul'tura srednevekovoi Evropy. SPb., 2006. 544 c.
  3. Campbell Th. P. Tapestry in the Renaissance. Art and Magnificence. The Metropolitan Museum of Art. New York, 2002. 604 p.
  4. Chiovemda L. Die Zeichungen Petrarcas // Archivum Romanicum. 1933. XVII. S. 1-61.
  5. Joost-Gaugier Ch. L. Giotto's Cycle in Naples: a Prototype of Donne Illustri and a Possible Literary Connection // Zeitschrift fur Kunstgeschichte. 1980. Bd. 43. H. 3. S. 311-318.
  6. Massena V. Prince d'Essling and Muntz E. Petrarque: ses etudes d'art, son influence sur les artistes, ses portraits et ceux de Laure. L'iilustration de ses ecrits. Paris, 1902.
  7. Mommsen Th. E. Petrarch and the Decoration of the Sala virorum illustrum in Padua // The Art Bulletin. 1952. 34/2. P. 95-116.
  8. Rubinstein N. Political Ideas in Sienese Art: the Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico // Journal of the Warburg and Courtauld Institutes. 1958. № 21. P. 179-207.
  9. Salamon A. Les Neuf Preux: des Hommes illustres? // Questes. 2008. № 17. P. 84-88.
  10. Venturi L. La critica d'arte e F. Petrarca // L'Arte. 1922. XXV. P. 238-244.

Procedure of Scientific Articles Publication | To Show Issue Content | To Show All Articles in Section | Subject Index

© 2006-2024 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru