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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 9. Part 2. P. 140-142.
SCIENTIFIC AREA: Study of Art
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QUALITIES OF LIBRETTO IN LITTLE TRAGEDIES BY A. S. PUSHKIN

Sedova Tat'yana Aleksandrovna
Orenburg State Institute of Arts named after L. Rostropovich and M. Rostropovich


Abstract. The author considers Little Tragedies by Pushkin through the prism of opera libretto qualities, reveals their ability of musical embodiment without transforming into special opera text, analyzes the general regularities of theatrical dramaturgy, touches upon the contact points of opera and straight play as the stage genres with common sources, and comes to the conclusion about the reasons of unaltered authorial text (poetical or prose) use by composers.
Key words and phrases: либретто, опера, "Маленькие трагедии" Пушкина, драма, театральная драматургия, текст, сценическое время, libretto, opera, "Little Tragedies" by Pushkin, drama, theatrical dramaturgy, text, stage time.
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References:
  1. Al'tman I. L. Pushkin i drama // Al'tman I. L. Izbrannye stat'i. M.: Sovetskii pisatel', 1957.
  2. Bryusov V. Ya. Malen'kie dramy Pushkina // Bryusov V. Ya. Izbrannye sochineniya: v 2-kh t. M.: Khudozhestvennaya literatura, 1955. T. 2.
  3. Gorodetskii B. P. Dramaturgiya Pushkina. M. - L.: AN SSSR, 1953.
  4. Prokof'ev S. S. Dnevnik: v 3-kh ch. Parizh: SPRKFV, 2002. Ch. 1. 1907-1918.
  5. Ustyuzhanin D. L. Malen'kie tragedii A. S. Pushkina. M.: Khudozhestvennaya literatura, 1974.

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