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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 9. Part 2. P. 143-150.
SCIENTIFIC AREA: Study of Art
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MAURICE DURUFLE'S REQUIEM: TRAITS TO THE COMPOSER'S CREATIVE PORTRAIT

Selifonova Yuliya Vladimirovna
Ul'yanovsk State University


Abstract. The article is devoted to the central composition of the outstanding French composer and organist of the XXth century Maurice Durufle - Requiem, ор. 9. The author covers the facts from the composition creation history, considers the peculiarities of authorial versions, gives information about the premiere performances of Requiem, and, broader, the concert fate of the composition for the first time in native music studies, reveals Requiem cyclic regularities, and the composer's work methods with the specified source, including the classification ofcantus prius factus implementation ways in Requiem musical text.
Key words and phrases: Дюруфле, Реквием, партитура Реквиема, редакции Реквиема, премьерное исполнение Реквиема, литургическая музыка, григорианский хорал, заданный источник, циклические закономерности, Durufle, Requiem, Requiem score, Requiem versions, Requiem premiere performance, liturgical music, Gregorian chorale, specified source, cyclic regularities.
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Посвящается 110-летию со дня рождения Мориса Дюруфле.

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