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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. № 11. Part 1. P. 120-124.
SCIENTIFIC AREA: Study of Art
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INTERACTION OF OPERA AND ORATORIO PRINCIPLES IN "MOSES" BY J. ROSSINI AND "NEBUCHADNEZZAR" BY G. VERDI

Mikhailova Olesya Sergeevna
Rostov State Conservatory (Academy) named after S. V. Rachmaninoff


Abstract. The article is devoted to the questions of genre synthesis in the Italian opera of the first half of the XIX th century based on the biblical plot. The author analyzes the principles of genre interaction between opera and spiritual oratorio, reveals the origins of this phenomenon, the history of its existence in the West-European music, and the role of Holy Scriptures plots embodiment. The material for the study is based on the operas "Moses in Egypt" by J. Rossini and "Nebuchadnezzar" by G. Verdi. According to the analysis of different levels of the works architectonics the conclusions about the dominance of oratorio component in the performance of the Old Testament conceptions are made.
Key words and phrases: Священное Писание, опера, духовная оратория, Дж. Россини, Дж. Верди, опера-оратория, жанровое взаимодействие, Holy Scriptures, opera, spiritual oratorio, J. Rossini, G. Verdi, opera-oratorio, genre interaction.
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