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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. № 12. Part 3. P. 47-50.
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Gerasimchuk Oksana Dmitrievna
Novosibirsk State Conservatoire (Academy) named after M. I. Glinka

Abstract. The article is devoted to the issue of the stylistic differentiation of the German polyphonic songs of the Renaissance. The author proceeds from the typology of songs according to tenor load: Volksliedweise and Hofweise . The article topicality is conditioned by the fact that secular polyphonic Lied , unlike other European Renaissance vocal genres, for the first time becomes the object of special consideration in the domestic musicology. The author seeks to reveal the typological characteristics of song texts poetics based on Volksliedweise .
Key words and phrases: Германия, эпоха Возрождения, полифоническая песня, первоисточник Volksliedweise, поэтика песенных текстов, поэтический мотив, шванк, Germany, Renaissance, polyphonic song, original source of Volksliedweise, song texts poetics, poetic motif, Schwank.
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  1. Markovich E. I. Starinnaya nemetskaya narodnaya pesnya: XV-XVI vv.: avtoref. diss. … k. filol. n. M., 1960. 20 s.
  2. Gudewill K. Deutsche Volkslieder in mehrstimmigen Kompositionen aus der Zeit von ca. 1450 bis ca. 1630 // Handbuch des Volksliedes. M?nchen, 1975. Bd. II: Historisches und systematisches-interethnische Beziehungen – Musikethnologie. S. 439-487.
  3. Spiewok W. Das Volkslied // Kurze Geschichte der deutschen Literatur / Leitung und Gesamtbearbeitung K. B?ttcher und H. J. Geerdts. Berlin, 1983. S. 74-76.
  4. Suppan W. Deutschen Liedleben zwischen Renaissance und Barock: die Schichtung des deutschen Liedgutes in der zweiten H?lfte des 16. Jahrhunderts. Tutzing, 1973. 236 S.

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