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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. 3. Part 1. P. 60-62.
SCIENTIFIC AREA: Study of Art
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ESAIAS BOURSSE - FORGOTTEN DUTCH ARTIST OF THE XVII TH CENTURY

Dmitrieva Anna Alekseevna
St. Petersburg State University


Abstract. The author, for the first time in the Russian historiography, studies the creative works of the Dutch artist of the XVII th century Esaias Boursse, substantiates the topicality and scientific novelty of this theme by its extremely weak elaboration in art criticism, determines the place of Boursses creative heritage in the general evolution of the Dutch painting, for the first time introduces a considerable part of the artists paintings into scientific circulation, and basing on their compositional analysis comes to the conclusion about the correspondence of Boursses stylistic devices to Amsterdam and Delft regional schools of painting, including the works by Jacobus Vrelo and Pieter de Hoch.
Key words and phrases: , , , , , , , Esaias Boursse, Pieter de Hoch, Delft, Amsterdam, Dutch art, painting, genre art.
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References:
  1. Dmitrieva A. A. Bytovoi zhanr v tvorchestve Yana Vermera i delftskoi zhivopisi serediny vtoroi poloviny XVII veka. M.: Kvadriga, 2011. 380 c.
  2. Kersten M., Plomp M. Les ma?tres de Delft, contemporains de Vermeer. Zwolle: Waandres, 1996. 224 p.
  3. Mai E. Wer war Jacobus Vrel? Hypothesen zum sogenannten "Vermeer der Armen" // K?lner Museums Bulletin. 2003. 4. S. 42-72.
  4. Molen T. Esaias Boursse (1631-1672): een Amsterdamse genreschilder in zijn tijd. Amsterdam: Universiteit van Amsterdam, 2006. 110 p.
  5. Sutton P. Pieter de Hooch. Complete edition. Oxford: Phaidon, 1980. 312 p.
  6. Thieme U., Becker F. Allgemeines Lexikon der Bildenden K?nstler von der Antike bis zur Gegenwart. Leipzig: W. Engelmann, 1910. Bd. 4. 688 S.
  7. Wurzbach A. Niederlandisches Kunstler-Lexikon, auf Grund archivalischer Forschungen. Wien Leipzig: Halm und Goldmann, 1906. Bd. 1. 398 S.

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