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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. № 5. Part 2. P. 146-149.
SCIENTIFIC AREA:    Study of Art
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Oblitsova Tat'yana Yur'evna
Moscow State Academic Art Institute named after V. I. Surikov

Abstract. The author reveals the features of the Byzantine canon existence in the monumental painting of Latium of the first third of the XIII th century, by the example of the Roman suburb monument mural painting traces the main stages of the Romanesque school conversion to the Byzantine tradition: by means of the early Christian heritage, the Northern Italian and Southern Italian painting, by familiarity with the mosaic complex of Norman Sicily, and by orientation to the Palaeologus painting; and tells that the selected angle allows deepening the Byzantine experience reflection in the Romanesque artistic model.
Key words and phrases: Рим, крипта кафедрального собора Ананьи, византийское влияние, византинизирующая живопись, позднекомниновский стиль, субурбий, дученто, Rome, crypt of Cathedral of Anagni, Byzantine influence, Byzantizing painting, later Comnenus style, suburb, ducento
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