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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. № 5. Part 3. P. 41-44.
SCIENTIFIC AREA:    Study of Art
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Gorshkova Natal'ya Gennad'evna
Glinka Nizhny Novgorod State Conservatoire

Abstract. The article reveals the development tendencies of the West European instrumental music of the 70s of the XX century. As a basis for the analysis the author has chosen the creative works of the contemporary German composer Helmut Lachenmann and one of the most experimental works composed by him - the etude for piano "Guero", which is popular among foreign performers, but hasn’t got proper attention in Russia. The article is one of the few researches of the German genius’ piano creativity presented in the Russian language.
Key words and phrases: Хельмут Лахенман, Guero, инструментальная конкретная музыка, приемы звукоизвлечения, графическая музыка, Helmut Lachenmann, "Guero", concrete instrumental music, sound elicitation techniques, graphic music
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  4. Brodsky S. Helmut Lachenmann Guero for Piano [Elektronnyi resurs]. URL: (data obrashcheniya: 03.01.2014).
  5. G?ero [Elektronnyi resurs]. URL: (data obrashcheniya: 28.12.2013).
  6. Heathcote A. Sound Structures, Transformations, and Broken Magic: an Interview with Helmut Lachenmann. Contemporary Music: Theoretical and Philosophical Perspectives. Ashgate, 2010. 390 p.
  7. Tommasini A. Pianistic Postcards Spanning Centuries [Elektronnyi resurs] // The New York Times. 2007. April 3. URL: (data obrashcheniya: 10.02.2014).

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