Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 9. Part 2. P. 78-82.
NON-TRADITIONAL COMPOSER’S FORMS OF STAGE ADAPTATION OF MUSICAL MATERIAL
Kireeva Natal'ya Yur'evna
L. V. Sobinov Saratov State Conservatoire
Abstract. The article is devoted to investigating the specifics of the stage adaptation of musical material. Special attention is paid to the analysis of the problems of the composer’s stage adaptation of musical composition, composer’s stage direction, reflection on the communicative formula of musical and theatrical art: author - performer - spectator. The paper introduces an original classification of the composer’s forms of the stage adaptation of musical material. These forms are founded on the basic efficient means of expressiveness: sound-representational principle, visual-static principle, visual-effective principle, theatre in theatre.
Key words and phrases: театрализация, автор, искусство, коммуникация, классификация, средства выразительности, визуализация, синтез, интеграция, stage adaptation, author, art, communication, classification, means of expressiveness, visualization, synthesis, integration
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