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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 11. Part 3. P. 33-36.
SCIENTIFIC AREA:    Study of Art
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Vasil'ev Anton Viktorovich, Samoilova Nailya Kamilevna
Orenburg State Institute of Arts named after L. and M. Rostropovich

Abstract. In the article some peculiarities of the classical stage in the evolution of the piano trio genre are revealed. The genetic sources of the genre are considered, the main attention is paid to the works of J. Haydn, W. Mozart, L. van Beethoven. By the example of their chamber and instrumental creative work, through the comparative analysis of the works on special parameters, the conclusion containing evolutionary aspects, the individuality of interpretation and the composer’s writing is drawn. The authors focus on figurative content, cycle structure, the contrast of material, the peculiarities of timbre solution, the correlation between tutti and solo , and the penetration of concert characteristics in the ensemble works of these composers.
Key words and phrases: фортепианное трио, образное содержание, структура цикла, контрастность материала, особенность тембрового решения, соотношение tutti и solo, проникновение черт концертности, piano trio, figurative content, cycle structure, contrast of material, peculiarity of timbre solution, correlation between tutti and solo, penetration of concert characteristics
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