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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 12. Part 2. P. 176-179.
SCIENTIFIC AREA:    Study of Art
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Sypalo Nataliya Valentinovna
Saratov State Conservatory named after L. V. Sobinov

Abstract. The article aims to identify the factors characterizing the modernity of the creative achievements of Dagestan composers. The author tries to cover, at least partially, the problem of the innovative nature of modern Dagestan piano music on the basis of the analysis of the genre, which presupposes the domination of European culture logos in the phenomenon of national composer school. Therefore the researcher chose for the analysis the Concert for Piano and Orchestra by M. Kasumov.
Key words and phrases: фортепианная музыка композиторов Дагестана, композиторы Дагестана, национальная композиторская школа, музыкальная культура Дагестана, М. Касумов, концерт для фортепиано с оркестром, piano music of Dagestan composers, Dagestan composers, national composer school, Dagestan musical culture, M. Kasumov, Concert for Piano and Orchestra
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  1. Abdullaeva E. B. Muzykal'noe iskusstvo Dagestana postsovetskogo vremeni: zhanrovo-vidovye i stilisticheskie novatsii // Fol'klor v kontekste kul'tury: sbornik statei po materialam vtoroi vserossiiskoi nauchnoi konferentsii. Makhachkala: Izd. Dagestanskogo gos. ped. universiteta, 2011. S. 68-70.
  2. Aranovskii M. G. Muzykal'nyi tekst: struktura i svoistva. M.: Kompozitor, 1998. 344 s.
  3. Gakkel' L. E. Fortepiannaya muzyka KhKh veka. L.: Sovetskii kompozitor, 1990. 288 s.
  4. Kholopov Yu. N. Garmoniya: teoreticheskii kurs. M.: Muzyka, 1988. 512 s.

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