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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 12. Part 2. P. 200-205.
SCIENTIFIC AREA:    Study of Art
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Zhi Long
St. Petersburg State Academic Institute of Painting, Sculpture and Architecture named after I. E. Repin

Abstract. The purpose of the article is to trace by the example of Chinese ink wash painting, how the role of calligraphic inscription in the scrolls of bird-and-flower painting was changing, and to consider its place in pictorial space in the period from the Middle Ages to the XIX-XX centuries. The relevance of the topic lies in the fact that the progressive development of the calligraphic component of the scrolls of bird-and-flower painting has not been a subject of a separate research.
Key words and phrases: искусство Китая, живопись гохуа, жанр хуаняо, каллиграфия, Ци Байши (1863-1957), Сюй Гу (1823-1896), Ли Жуйцин (1867-1920), art of China, ink wash painting, bird-and-flower painting, calligraphy, Qi Baishi (1863-1957), Xu Gu (1823-1896), Li Juiching (1867-1920)
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