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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 2. Part 1. P. 65-67.
SCIENTIFIC AREA:    Culturology
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SYMBOLIC PRINCIPLES OF ROSICRUCIANS AND THEIR MANIFESTATION IN THE CYCLE "THE ART OF FUGUE" BY J. S. BACH

Grinchenko Galina Anatol'evna
North Caucasus State Institute of Arts


Abstract. The article examines a hieroglyphic monad by John Dee as a sign representing the essence of the symbolic conceptions of the Order of Rosicrucians. Analyzing the cycle "The Art of Fugue" by J. S. Bach the author concludes that the composer uses the symbolic representation of the monad in the form of the intonation of the Protestant choral „Wie sch?n leuchtet der Morgenstern", a drawing at the end of the fugue № 8, a monogram associated with the Second and Third Manifestos for transferring sacral knowledge revealing the philosophy of the Order.
Key words and phrases: символические концепции, орден Розенкрейцеров, иероглифическая монада, Джон Ди, И. С. Бах, "Искусство фуги", гравюры, symbolic conceptions, Order of Rosicrucians, hieroglyphic monad, John Dee, J. S. Bach, "The Art of Fugue", engravings
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