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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 3. Part 1. P. 135-139.
SCIENTIFIC AREA: Study of Art
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CARL CZERNY AS INNOVATOR OF PIANO DUET GENRE

Kulikov Aleksandr Evgen'evich
Moscow State Conservatory named after P. I. Tchaikovsky


Abstract. In the article the creativity of Carl Czerny in the genre of piano ensemble is considered in the wide context of the history of the clavier music of the XVIII-XIX centuries. Special attention is drawn to four-handed sonatas for piano. The author analyzes the innovation of the composer in the style of piano duet, gives the artistic and aesthetic estimation of the works, and determines the place of sonatas in the history of piano duet genre. Issues connected with the interpretation of the considered works are studied.
Key words and phrases: Черни, фортепианный ансамбль, фортепианный дуэт, соната, фортепианная фактура, история фортепианной музыки, Czerny, piano ensemble, piano duet, sonata, piano style, history of piano music.
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References:
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  4. Kuerti A. Carl Czerny, Composer // Beyond "The Art of Finger Dexterity": Reassessing Carl Czerny / ed. by D. Gramit. Rochester: Univ. of Rochester Press, 2008. P. 139-144.
  5. McGrow C. Piano Duet Repertoire. Music, Originally Written for One Piano, Four Hands. Bloomington: Indiana University Press, 1981. 334 p.
  6. Rummenhoeler P. „…um der Idee die gehoerige Energie und Vollstimmigkeit zu geben". Zur vierhandigen Klaviermusik von Sarl Czerny // Carl Czerny: Komponist, Pianist, P?dagoge / hrsg. von H. von Loesch. Mainz: Schott, 2010. S. 243-249.
  7. Wehmeyer G. Carl Czerny und die Eisenhalt am Klavier oder die Kunst der Fingerfertigkeit und die industrielle Arbeitsideologie. Z?rich: B?renreiter; Atlantis, 1983. 228 S.

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