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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 3. Part 2. P. 13-16.
SCIENTIFIC AREA:    Historical Sciences and Archeology
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PECULIARITIES OF ICON-PAINTING ART OF PERIOD OF THE RUSSIAN NATIONAL STATE FORMATION (THE END OF THE XIV - THE BEGINNING OF THE XV CENTURY)

Avdyusheva Elena Aleksandrovna
National Research Nuclear University MEPhI (Moscow Engineering Physics Institute)


Abstract. The article deals with the heyday of the Russian icon-painting school at the end of the XIV - the beginning of the XV century, which was closely associated with the outstanding master of that epoch Andrei Rublev. The author sets the problem to summarize the characteristic features and main periods of the Russian artistic culture development, and to highlight the basic peculiarities of icon-painting art and its connection with cultural and historical environment. Special attention is paid to the role of the Russian Orthodox Church and the rise of the spiritual strength of the nation in the period of the Russian state unification.
Key words and phrases: иконопись, художественные традиции, православное мировоззрение, духовность, соборность, Византия, Андрей Рублев, "Троица", iconography, artistic traditions, Orthodox world outlook, spirituality, conciliarity, Byzantium, Andrei Rublev, the "Trinity"
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