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Abstract. The article analyzes sonata op. 25 № 4 for alto and piano by Paul Hindemith, which is examined in the context of the stylistic evolution of the composer’s creative work of the 1920s. The authors introduce their own interpretation of the esthetic and philosophical conception of this composition representing the complicated and contradictive reality of the time full of shocking experiments, denial of the past and at the same time longing for the lost harmony. The chosen aspect of musicological analysis is considered particularly relevant for the performers appealing for sonata op. 25 № 4.
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Key words and phrases: Пауль Хиндемит, камерно-инструментальное творчество, соната для альта и фортепиано ор. 25 № 4, стиль в музыке, творческая эволюция Хиндемита 1920-х годов, философско-эстетическая концепция сонатной формы, музыкальная драматургия, направленность на достижение гармонии, формирование нового художественного мировоззрения и новой эстетики творчества Хиндемита, Paul Hindemith, chamber and instrumental creative work, sonata op. 25 № 4 for alto and piano, style in music, Hindemith’s creative evolution of the 1920s, philosophical and esthetic conception of sonata form, musical dramaturgy, aim to achieve harmony, formation of new artistic worldview and new esthetics of Hindemith’s creative work
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References:
- Varunts V. Tsikl "Kammermusik" (k voprosu o neoklassitsizme Khindemita) // Paul' Khindemit: stat'i i materialy. M.: Sovetskii kompozitor, 1979. S. 143-178.
- Levaya T. N. O stile Khindemita // Paul' Khindemit: stat'i i materialy. M.: Sovetskii kompozitor, 1979. S. 262-299.
- Levaya T. N., Leont'eva O. T. Paul' Khindemit. Zhizn' i tvorchestvo. M.: Muzyka, 1974. 448 s.
- Kholopova V. N. Stilevoe soderzhanie muzykal'nogo proizvedeniya // Muzyka kak vid iskusstva. SPb.: Lan'; Planeta muzyki, 2014. S. 222-236.
- Centre de Musique Hindemith [Elektronnyi resurs]. URL: http://www.hindemith.info/musikzentrum/ (data obrashcheniya: 03.11.2015).
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Русский
