GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. 2. P. 195-197.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

PHANTOM IN THE EYES OF THE SECONDARY PERSONAGES OF THE MUSICAL BY A. L. WEBBER "THE PHANTOM OF THE OPERA" IN THE CONTEXT OF CONFLICT OF PERSONALITY AND SOCIETY

Fedorovskaya Natal'ya Aleksandrovna
Far Eastern Federal University


Abstract. The article examines the specifics of the main personage perception by the secondary personages of the musical by A. L. Webber "The Phantom of the Opera". The author discovers that the Phantom is perceived in terms of his repellent appearance, which is identified with his internal essence. The secondary personages form the stable stereotype of a monster-killer around the main personage and represent public opinion on the main character. Through attitude to the Phantom the problems of the loneliness and rejection of a human by the society are tackled.
Key words and phrases: , . . , " ", , . , , , musical, A. L. Webber, "The Phantom of the Opera", artistic image, Joseph Buquet, Giry, conflict of personality and society.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Leru G. Prizrak Opery. M.: Azbuka, 2011. 352 s.
  2. Fedorovskaya N. A. Vliyanie vneshnego oblika na formirovanie khudozhestvennogo obraza glavnogo geroya myuzikla E. L. Uebbera "Prizrak Opery" // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul'turologiya i iskusstvovedenie. Voprosy teorii i praktiki. Tambov: Gramota, 2013. 12 (38). Ch. 1. S. 197-200.
  3. Fedorovskaya N. A. Myuzikl E. L. Uebbera "Prizrak Opery" v konstruktsiyakh i kontseptsiyakh. Vladivostok: Izd-vo DVFU, 2014. 312 s.
  4. Fedorovskaya N. A. Rol' muzykal'no-ritoricheskoi figury circulatio v voploshchenii obraza pendzhabskogo lasso v myuzikle E. L. Uebbera "Prizrak Opery" // Muzykovedenie. 2014. 5. S. 20-24.
  5. Hogle J. E. The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Leroux's Novel and Its Progeny. N. Y.: Palgrave Macmillan, 2002. 261 r.
  6. Perry G. The Complete Phantom of the Opera. N. Y.: Henry Holt and Co, 1987. 167 p.
  7. Snelson J. Andrew Lloyd Webber. Yale: Yale University Press, 2009. 267 p.
  8. Webber A. L., Hart Ch., Stilgoe R. The Phantom of the Opera (piano-vocal score). N. Y.: RNH, 2010. Parts I-II. 303 r.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru