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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. № 2. P. 36-41.
SCIENTIFIC AREA:    Study of Art
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Bakanov Denis Valer'evich
Saint-Petersburg University of Humanities and Social Sciences

Abstract. In the article the productions of Shakespeare’s "Macbeth" in two major theaters: Lensoviet Academic Theatre and Theater-Festival "Baltic House", are analyzed. The comparison of various director’s interpretations and approaches to the stage adaptation of the playwright’s text is presented. Particular attention is paid to the difficulties of the relationship of modern directors with Shakespeare’s plays. Revealing the "narrow" places of the director’s work with Shakespeare the author describes general approaches to the dramaturgical material and determines the methodology of the productions and their relation to the present time.
Key words and phrases: Шекспир, Макбет, "великая трагедия", театр, постановка пьес Шекспира, мизансцена, поэтический образ, Shakespeare, Macbeth, "great tragedy", theater, Shakespeare’s plays staging, mise en scene, poetic image
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