GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. 6. Part 2. P. 77-80.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

MODERN MUSIC IN ACADEMIC COURSES OF STUDENTS - BUTTON ACCORDIONISTS: COMPOSITIONAL TECHNIQUES, WAYS OF ADOPTION

Eshchenko Aleksei Borisovich
Far Eastern State Academy of Art


Abstract. The article examines different aspects of students adoption of compositions for the button accordion. The author emphasizes the fact that the original accordion repertoire, which was created exclusively in the XX-XXI centuries, refers to the "modern music" category. The paper characterizes various compositional techniques of the XX-XXI centuries music from the viewpoint of their implementation (composing and performing) as to the button accordion and suggests optimal methods to study compositions, in which the mentioned techniques are used.
Key words and phrases: , , , , , accordion music, sonorism, dodecaphony, modality, studying modern music.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Barash E. V., Urbakh T. S. Simfonii Al'freda Shnitke. Mysli kompozitora i analiticheskii kommentarii: uchebnoe posobie. M.: Kompozitor, 2009. 248 s.
  2. Basurmanov A. P. Bayannoe i akkordeonnoe iskusstvo: spravochnik. M.: KIFARA, 2003. 616 s.
  3. Brusentsev Yu. V. Akusticheskie i konstruktivnye osobennosti sovremennykh bayanov i akkordeonov "AKKO" // Narodnik. 2011. 2. S. 27-28.
  4. Grebneva I. V. Skripichnyi kontsert v evropeiskoi muzyke KhKh veka. M.: Moskovskaya gos. konservatoriya im. P. I. Chaikovskogo, 2010. 356 s.
  5. Grebneva I. V. Skripichnyi kontsert v zerkale stilei "novoi muzyki" // Dom Burganova. Prostranstvo kul'tury. 2010. 2. S. 209-220.
  6. Eshchenko A. B. O sonorno-izobrazitel'nykh priemakh v muzyke dlya bayana // Muzyka i vremya. 2014. 3. S. 15-19.
  7. Eshchenko A. B. Realizatsiya sonornoi faktury v sonate dlya bayana 6 A. Kusyakova // Russkie narodnye instrumenty (voprosy istorii, teorii, metodiki): sbornik statei. Vladivostok: RIO DVGAI, 2011. S. 41-60.
  8. Eshchenko A. B. Sonorno-tekhnicheskie vozmozhnosti gotovo-vybornogo mnogotembrovogo bayana // Muzyka i vremya. 2012. 6. S. 50-53.
  9. Imkhanitskii M. I. Istoriya bayannogo i akkordeonnogo iskusstva: uchebnoe posobie. M.: RAM im. Gnesinykh, 2006. 520 s.
  10. Istoriya sovremennoi otechestvennoi muzyki / red.-sost. E. B. Dolinskaya. M.: Muzyka, 2001. Vyp. 3. 1960-1990. 656 s.
  11. Kravtsov N. A. Akkordeon XXI veka. SPb.: MST, 2004. 124 s.
  12. Lips F. R. Tvorchestvo Vladislava Zolotareva // Bayan i bayanisty: sbornik statei. M.: Sov. kompozitor, 1984. Vyp. 6. S. 27-68.
  13. Papenina A. N. Muzykal'nyi avangard serediny KhKh veka i problemy khudozhestvennogo vospriyatiya. SPb.: Izd-vo SPbGUP, 2008. 152 s.
  14. Polozhenie o Kraevom otkrytom konkurse ispolnitelei sovremennoi muzyki [Elektronnyi resurs]. URL: http://dv-art.ru/contest/modern/?clear_cache=Y (data obrashcheniya: 20.04.2016).
  15. Teoriya sovremennoi kompozitsii / otv. red. V. S. Tsenova. M.: Muzyka, 2005. 624 s.
  16. Kholopov Yu. N. Garmoniya: teoreticheskii kurs: uchebnik. M.: Muzyka, 1988. 511 s.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru