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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. № 7. Part 1. P. 37-41.
SCIENTIFIC AREA:    Study of Art
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Dmitrieva Natal'ya Yur'evna, Shchek Il'ya Vladimirovich
Krasnoyarsk State Pedagogical University named after V. P. Astafyev

Abstract. In the article the philosophical and art-criticism analysis of the painting by Jean-Fran?ois Millet "The Gleaners" of 1857 is presented. The basic composition structures of the work as concentrated expression of the essence of Millet’s painting content are identified. The analysis of the symbolic level of composition structures has allowed formulating a visual concept of the work. The content of the visual notion of the painting "The Gleaners" presents the inheritance of the cultural ideals of the era of the Northern Renaissance.
Key words and phrases: Жан-Франсуа Милле "Сборщицы колосьев", визуальное понятие, композиционная формула, художественное направление "реализм", Северное Возрождение, пантеизм, единичное и всеобщее, Jean-Fran?ois Milletэs painting "The Gleaners", visual concept, compositional formula, artistic movement "realism", Northern Renaissance, pantheism, the single and the universal
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