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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. № 7. Part 2. P. 37-41.
SCIENTIFIC AREA:    Study of Art
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NATIONAL AND CULTURAL PECULIARITIES OF MODERN ORTHODOX LITURGICAL SINGING

Voskoboinikova Yuliya Vasil'evna
Kharkov State Academy of Culture, Ukraine


Abstract. The article is devoted to the modern specific of Orthodox liturgical singing in different countries depending on geopolitical and cultural-historical context. The author discovers factors influencing the formation of the national and cultural peculiarities of liturgical singing, characterizes its basic types. The paper identifies the mono-traditional and multi-traditional regions of the Orthodox world, systematizes the conceptions of the prevalence of Russian and Byzantine liturgical singing traditions, establishes the role of the regent in the formation of the national and cultural peculiarities of liturgical singing.
Key words and phrases: церковное пение православной традиции, византийский распев, знаменный распев, грузинский распев, обиход, регент, Orthodox liturgical singing, Byzantine chant, Znamenny chant, Georgian chant, rules of church singing, regent
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