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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. № 12. Part 3. P. 81-84.
SCIENTIFIC AREA:    Study of Art
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Klimchuk Anastasiya Sergeevna
Glinka Novosibirsk State Conservatoire

Abstract. The article is devoted to the genre attribution of the musical and theatrical composition of the English composer Thomas Augustine Arne (1710-1778) "Alfred". The play of Arne is analyzed from the position of correlating with the genre features of a masque, opera and oratorio. There is a variety of its genre definitions in the scientific literature and publicism - both of the XVIII century, and of modern time. The author considers the problem of the contiguity of the notions "masque" and "opera" in the English musical theater and the instability of genre parameters.
Key words and phrases: Томас Августин Арн, "Альфред", маска, опера, английская театральная музыка XVIII века, Thomas Augustine Arne, "Alfred", mask, opera, English theatre music of the XVIII century
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