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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. № 3. Part 2. P. 180-184.
SCIENTIFIC AREA:    Study of Art
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Tveritina Elena Vladimirovna
Magnitogorsk State Conservatory (Academy) named after M. I. Glinka

Abstract. The article examines the phenomenon of interaction of the performer-composer Aleksey Nasedkin with musical texture by the composer-pianist Sergei Prokofiev. The mentioned aspect has not previously been an object of scientific research. Analyzing the pianist-performer’s style the author examines a compositional and dramaturgic decision of the Ten Pieces from the ballet "Cinderella" op. 97 and the Sonata for Flute and Piano D dur , op. 94 , bis by S. Prokofiev. The paper shows a delicate relation of two musical worlds and formation of a co-authorship act.
Key words and phrases: Алексей Наседкин, Сергей Прокофьев, исполнительство, артикуляция, агогика, динамическая драматургия, Aleksey Nasedkin, Sergei Prokofiev, performance, articulation, agogics, dynamical dramaturgy
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