Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 5. P. 125-128.
Ogorodova Alena Vladimirovna, Shebanova Elena Ivanovna, Yagovdik Aleksandr Aleksandrovich
Belgorod State Institute of Arts and Culture
Abstract. The purpose of the article is a retrospective review of jazz styles of the 1950s. The study of this period is relevant as it changed aesthetics of jazz art, opened the era of cultural dialogue - classics and jazz, jazz and Latin-American music. From literature devoted to the history of jazz this article differs in the sense of concentration on a specific historical period. The authors conclude that jazz of the 1950s developed in the direction of sophistication and democratization and became a basis for revolutionary changes in music in the 1960s.
Key words and phrases: джаз, академическая музыка, латиноамериканская музыка, инструментальное джазовое исполнительство, флейта, баритон-саксофон, валторна, jazz, academic music, Latin-American music, instrumental jazz performance, flute, baritone saxophone, French horn
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Eranosov A. R. Traditsionnyi dzhaz (ot svinga do sovremennogo meinstrima): kratkaya audioentsiklopediya. SPb.: Lan'; Planeta muzyki, 2011. 176 s.
Kinus Yu. G. Dzhaz: istoki i razvitie. Rostov-na-Donu: Feniks, 2011. 491 s.
Kollier Dzh. L. Stanovlenie dzhaza. M., 1984. 392 s.
Korolev O. K. Kratkii entsiklopedicheskii slovar' dzhaza, rok- i pop-muzyki: terminy i ponyatiya. M.: Muzyka, 2006. 168 s.
Moshkov K. Blyuz. Velikie lyudi dzhaza. SPb.: Lan'; Planeta muzyki, 2009. 736 s.
Feiertag V. B. Dzhaz. XX vek: entsiklopedicheskii spravochnik. SPb.: Skifiya, 2001. 564 s.
Русский
