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Abstract. The subject of the article is an analysis of the wooden animalistic sculpture of the XIX-XX centuries. In this genre the plastic properties of one of the ancient materials, wood, were revealed most clearly. It is noted that wood in the classical era of the XVIII - the first half of the XIX century was not appreciated due to the dominance of normative academic aesthetics in art. Nevertheless, it was not disregarded and found a vivid realization in works of animal painters.
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Key words and phrases: деревянная скульптура, пластический образ, материал, творческий метод, натура, природа, свойства дерева, анималистика, животное, структурные качества, художественный процесс, форма, wooden sculpture, plastic image, material, creative method, nature, properties of wood, animalistic genre, animal, structural qualities, artistic process, form
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Русский
