Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. ¹ 8. P. 156-159.
PECULIARITIES OF THE PERFORMER’S APPARATUS FORMATION AMONG SAXOPHONISTS OF THE BEGINNING OF THE XX CENTURY (BY THE MATERIAL OF H. LINDEMAN’S TEXTBOOK)
Pon'kina Antonina Mikhailovna Belgorod State Institute of Arts and Culture
Abstract. The article for the first time examines peculiarities of the performer’s apparatus formation typical for the beginning of the XX century. H. Lindeman’s textbook served as research material. Methodological principles under analysis influenced performers’ thinking and were fully adopted by subsequent generations. H. Lindeman’s conceptions and problems he covers were fruitfully developed in the second half of the XX century and in some ways anticipated the performer’s principles of subsequent historical epochs.
Key words and phrases: ñàêñîôîí, èñïîëíèòåëüñòâî íà ñàêñîôîíå, èñïîëíèòåëüñêèé àïïàðàò ñàêñîôîíèñòà, îñîáåííîñòè ôîðìèðîâàíèÿ èñïîëíèòåëüñêîãî àïïàðàòà, Õ. Ëèíäåìàí, saxophone, saxophone performance, saxophonist’s playing apparatus, peculiarities of performer’s apparatus formation, H. Lindeman.
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