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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2018. № 1. P. 112-122.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2018-1.24

ON THE THRESHOLD OF A GLOBAL CRASH

Demchenko Aleksandr Ivanovich
Saratov State Conservatoire


Submitted: 15.02.2018.
Abstract. Continuous evolution of domestic music associated with liberation ideas resulted in its blossom at the beginning of the XX century. Heroic and romantic images, including those based on associations with spontaneous natural phenomena, were widely used. The idea of emancipation (for the first time such conception was developed on a large scale in "The Latvian Requiem" by E. Melngailis) becomes the key one for the composers, who introduced the theme of liberation. Explicit implementation of the revolutionary theme begins in the 1910s, and the basic tendencies of these years are most clearly represented in the symphony-cantata "Caucasus" by S. Lyudkevych.
Key words and phrases: музыка России, дооктябрьский период, разработка освободительных идей, активизация освободительных идей в начале ХХ века, разработка мотива раскрепощения, открытое воплощение революционной тематики, Russian music, pre-October period, development of liberation ideas, activation of liberation ideas at the beginning of the XX century, development of emancipation motive, explicit implementation of revolutionary theme.
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