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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2018. 1. P. 122-126.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2018-1.25

CHOREOGRAPHIC THINKING AND PLASTIC VOCABULARY IN THE SPACE OF THE MODERN DRAMATIC PERFORMANCE (BY THE EXAMPLE OF "BLOODY WEDDING")

Zykov Aleksei Ivanovich
Saratov State Conservatoire


Submitted: 07.02.2018.
Abstract. The article examines the ways and techniques to "fit" choreographic and plastic expressive means into the dramatic performance in the context of analyzing the director-choreographers thinking. The author identifies certain similarity with the processes that occurred in choreographic art and plastic theatre of the turn of the XX-XXI centuries. But the interaction with the "texts" of the dramatic performance obliges the director-choreographer to use the "tools" of different arts, and the specificity of actors choreographic and plastic potentials makes him to develop a different language of motion vocabulary.
Key words and phrases: , , , -, , , dramatic theatre, plastics, dance, director-choreographer, choreographic thinking, plastic vocabulary.
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