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SOURCE:    Manuscript. Tambov: Gramota, 2018. № 11. Part 1. P. 138-143.
SCIENTIFIC AREA:    Study of Art
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https://doi.org/10.30853/manuscript.2018-11-1.29

UNKNOWN PAGES FROM THE EARLY HISTORY OF THE EUROPEAN AVANT-GARDE: GEORGE ANTHEIL’S VIOLIN SONATA № 1 IN THE CONTEXT OF THE EPOCH

Vasilenko Anastasiya Andreevna
Voronezh State Academy of Arts Voronezh Special Musical School (College)


Submitted: 17.08.2018
Abstract. The article is devoted to the creative work of the little known in our country American composer George Antheil, in particular, to his First Sonata for Violin and Piano. Antheil’s personality is considered from the viewpoint of the European avant-garde of the 1920s. Analysing the composer’s technique, style and musical language the author concludes on the important trends established in the sonata: anticipation of the minimalism technique, rhythmic rotations, mechanicalness of musical language, carefully crafted pauses as musical space, etc. The above mentioned trends paved the way for the artistic conceptions by E. Var?se, John Cage, Ph. Glass, T. Riley et al.
Key words and phrases: Джордж Антейл, американская соната для скрипки и фортепиано, музыкальный авангард, ротации ритмических блоков, политембровость, политональность, звучащие паузы, George Antheil, American Sonata for Violin and Piano, musical avant-garde, rotations of rhythmic clusters, multi-tonality, sounding pauses
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