GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Manuscript. Tambov: Gramota, 2018. № 11. Part 1. P. 153-156.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

https://doi.org/10.30853/manuscript.2018-11-1.32

EDITING AS A TECHNIQUE OF COMPOSITIONAL COLLAGE IN GRAPHIC DESIGN

Ovchinnikova Raisa Yur'evna
Omsk State Technical University


Submitted: 06.09.2018.
Abstract. The article examines the influence of avant-garde painters on self-identification of graphic design. The author shows the productive use of the collage technique in posters and justifies the role of editing as the basic principle of the compositional decisions of collage images in design graphics. The paper identifies the peculiarities of graphical collage as a technique, artistic principle and world vision. The researcher concludes that collage images in the poster graphics of the first quarter of the XX century were determined by socio-political conception, which contributed to the development of the visual image of a certain historical epoch.
Key words and phrases: графический дизайн, направления в искусстве, коллаж, коллажная композиция, фотоколлаж, монтаж, социокультурный контекст, graphic design, art trends, collage, collage composition, photo collage, editing, socio-cultural context.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Bobrinskaya E. Russkii avangard: istoki i metamorfozy. M.: Novoe literaturnoe obozrenie, 2006. 304 s.
  2. Vashik K., Baburina N. Real'nost' utopii. Iskusstvo russkogo plakata XX veka. M.: Progress-Traditsiya, 2005. 416 s.
  3. Demchenko A. I. Kollazh i polistilistika: ot eksperimentov avangarda v obshchestvennoe prostranstvo // Russkii avangard 1910-1920-kh godov: problema kollazha / red. G. F. Kovalenko i dr. M.: Nauka, 2005. C. 3-33.
  4. Zolotaya pchela 12: Moskovskaya mezhdunarodnaya biennale graficheskogo dizaina: katalog. M.: Al'ma Mater, 2016. 340 s.
  5. Lavrent'ev A. Ot dadaistskogo kollazha - k konstruktivistskoi tipografike // Russkii avangard 1910-1920-kh godov: problema kollazha / red. G. F. Kovalenko i dr. M.: Nauka, 2005. S. 256-273.
  6. Ovchinnikova R. Yu. Sotsiokul'turnye osnovaniya i spetsifika kicha v graficheskom dizaine. M.: Magistr; INFRA-M, 2015. 136 s.
  7. Ustin V. B. Kompozitsiya v dizaine. Metodicheskie osnovy kompozitsionno-khudozhestvennogo formirovaniya v dizainerskom tvorchestve. M.: Astrel', 2006. 239 s.
  8. Eizenshtein S. Montazh [Elektronnyi resurs]. URL: http://lib.ru/CINEMA/kinolit/EJZENSHTEJN/s_montazh_1938.txt (data obrashcheniya: 05.09.2018).
  9. Entsiklopedicheskii slovar' zhivopisi. Zapadnaya zhivopis' ot Srednikh vekov do nashikh dnei / pod red. M. Laklotta. M.: Terra, 1997. 1135 s.
  10. Brockelman T. P. The Frame and the Mirror: On Collage and the Postmodern. Evanston: Northwestern University Press, 2001. 237 p.
  11. Cran R. Collage in Twentieth-Century: Art, Literature, and Culture. Farnham - Surrey: Ashgate Publishing, Limited, 2014. 248 p.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

© 2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru