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SOURCE:	Manuscript. Tambov: Gramota, 2018. № 6. P. 135-139.
SCIENTIFIC AREA:	Study of Art
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https://doi.org/10.30853/manuscript.2018-6.31

RHETORIC IN THE CONTEXT OF MUSICAL POETICS OF P. I. TCHAIKOVSKY’S LATE CHAMBER-VOCAL CREATIVE WORK

Ponomareva Elena Vladimirovna
Saratov State Conservatoire

Submitted: 15.05.2018.

Abstract. The article considers the problem of rhetorical devices influence on P. I. Tchaikovsky’s late vocal creative work. By the example of the cycle of romances based on D. Ratgauz’s poetry the author identifies special lexical (in particular, "rhetorical figures"), structural, and, consequently, semantic principles conditioned by rhetorical poetics influence. Prosodic and rhetorical analysis has allowed the researcher to justify the appearance of the composer’s monogram in the final romance as a marker of its special dramaturgic status - "romance-prayer" and "romance-testament".

Key words and phrases: П. И. Чайковский, позднее камерно-вокальное творчество, Шесть романсов на стихи Д. Ратгауза, риторические фигуры, музыкальная поэтика, монограмма, P. I. Tchaikovsky, late chamber-vocal creative work, six romances based on D. Ratgauz’s poetry, rhetorical figures, musical poetics, monogram.

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