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SOURCE:   Manuscript. Tambov: Gramota, 2018. 7. P. 151-155.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2018-7.31

PLASTIC RHETORIC AND THE PRINCIPLE OF PARODYING IN PETER SELLARSS PRODUCTION OF "COS? FAN TUTTE" BY MOZART / DA PONTE

Sokol'skaya Anna Aleksandrovna, Makarova Ol'ga Borisovna
Zhiganov Kazan State Conservatoire

The State Academic Bolshoi Theatre of Russia


Submitted: 21.05.2018.
Abstract. In the article, the use of the method of parodying in the TV version of Peter Sellarss production of Mozarts opera "Cos? fan tutte" is analyzed. The main objects of consideration are the rhetorized conditional actors plasticity used by the director, with the help of which the social-critical aspects of the plot are emphasized, and also the connection between the dramaturgic logic of the performance with the libretto and the correlation of the narrative and metaphorical planes. Parodying acts in Sellarss production as a sign of the social conventionality of the characters behavior, and as a means of the embodiment of the media aesthetics.
Key words and phrases: , , , , , , "Cos? fan tutte", opera, Mozart, directors theater, Peter Sellars, parodying, plastic rhetoric, "Cos? fan tutte".
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