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SOURCE:   Manuscript. Tambov: Gramota, 2019. 10. P. 231-236.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2019.10.46

V. N. SALMANOVS ORATORIO "THE TWELVE": PSEUDO-APOSTLES AND CHRIST-ANTICHRIST (PROBLEM OF CONCEPTION)

Beriglazova Ekaterina Vasil'evna
Magnitogorsk State Conservatory named after M. I. Glinka


Submitted: 15.07.2019.
Abstract. The article examines the basic artistic images of V. N. Salmanovs oratorio "The Twelve": twelve Red Guards and Jesus Christ. For the first time, the researcher analyses musical expressive means and semantic meaning, draws parallels between contemporary philosophical conceptions and meaningful filling of the mentioned musical images. The analysis allows the author to reveal new dimensions of V. N. Salmanovs large-scale composition. The paper concludes on the essential semantic role of two images (the twelve and Christ) in forming the compositions artistic conception.
Key words and phrases: . . , , , , , , , V. N. Salmanov, oratorio, revolution, apocalypse, the twelve, Jesus Christ, semantic role.
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