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SOURCE:   Manuscript. Tambov: Gramota, 2019. 11. P. 249-253.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2019.11.46

SONATA CYCLIC FORM AND SPECIFICITY OF ITS INTERPRETATION IN F. LISZTS PIANO CONCERT 1

Genebart Ol'ga Vasil'evna
Tambov State Musical Pedagogical Institute named after S. V. Rachmaninov


Submitted: 08.09.2019.
Abstract. The article summarizes and clarifies the basic provisions of the sonata cyclic form theory. The author focuses on analysing F. Liszts Piano Concert 1 as a compositional model of the piano concert sonata cyclic form that was widely used by domestic and foreign composers of the XIX-XX centuries. The paper examines the compositional arrangement of the parts and the whole, identifies the components representing invariant features of the sonata form, the attributes of a sonata-symphonic cycle and reveals the means of individualization of the authors compositional and dramaturgic decision.
Key words and phrases: - , , , , , , , , sonata cyclic form, synthesis, invariant, genre transformation, mono-thematicity, chain principle, episode, tonality.
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