GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Manuscript. Tambov: Gramota, 2019. 7. P. 145-151.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

https://doi.org/10.30853/manuscript.2019.7.30

ACTUALIZATION OF TIMBRE FEATURES OF PIANO TEXTURE IN THE PROCESS OF PERFORMANCE: SYNESTHETIC ASPECT

Budnikov Vladimir Viktorovich
Khabarovsk State Institute of Culture


Submitted: 16.04.2019.
Abstract. The article examines piano texture in the aspect of its timbre features discovered during the synesthetic analysis of N. Medtners "Fairy Tale" op. 20 2. The author focuses on identifying the mechanisms forming the timber character of piano texture in a performers interpretation. To achieve this objective, the researcher analyses the technology of a performers "adjustment" of the timber component of a musical image to make it artistically complete and multidimensional. For the first time, the paper identifies the proprio-interoceptive synesthetic mechanism of the mutual influence of a composers score and a performers consciousness, which organizes the process of timbre texture formation. Special attention is paid to agogics having its roots in the existential structures of a performers time perception.
Key words and phrases: , , , , , , , piano texture, timbre character of texture, timbre vertical, proprioception, interoception, performers time, generated time.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Bergson A. Tvorcheskaya evolyutsiya. Materiya i pamyat'. Mn.: Kharvest, 1999. 1408 s.
  2. Budnikov V. V. Tembral'nye svoistva fortepiannoi faktury v Skazke or. 20 2 N. Metnera: sinesteticheskii aspekt // Muzykal'naya sinestetika: istoriya, teoriya, praktika: sb. nauch. st. Novosibirsk: Novosib. gos. konservatoriya, 2016. S. 72-83.
  3. Galeev B. M. Chelovek, iskusstvo, tekhnika. Problema sinestezii v iskusstve. Kazan': Izd-vo Kazanskogo un-ta, 1987. 264 s.
  4. Gusserl' E. Sobranie sochinenii: v 3-kh t. M.: Gnozis, 1994. T. I. Fenomenologiya vnutrennego soznaniya vremeni. 192 s.
  5. Dil'tei V. Opisatel'naya psikhologiya. SPb.: Aleteiya, 1996. 160 s.
  6. Kazantseva L. P. Osnovy teorii muzykal'nogo soderzhaniya: ucheb. posobie. Astrakhan': IPTs "Fakel"; OOO "Astrakhan'gazprom", 2001. 368 s.
  7. Kolyadenko N. P. Problemy muzykal'noi sinestetiki. Novosibirsk: Novosib. gos. konservatoriya im. M. I. Glinki, 2015. 160 s.
  8. Kolyadenko N. P. Sinestetichnost' muzykal'no-khudozhestvennogo soznaniya (na materiale iskusstva KhKh veka). Novosibirsk: Novosib. gos. konservatoriya im. M. I. Glinki, 2005. 392 s.
  9. Lysenko S. Yu. Sinesteticheskii khudozhestvennyi tekst kak fenomen interpretatsii v muzykal'nom teatre. Khabarovsk: KhGIIK, 2013. 340 s.
  10. Marina Ivanovna Tsvetaeva [Elektronnyi resurs]: sait o velikom russkom poete XX veka. Pis'ma. URL: http://tsvetaeva.lit-info.ru/tsvetaeva/pisma/letter-1011.htm (data obrashcheniya: 12.04.2019).
  11. Martinsen K. A. Individual'naya fortepiannaya tekhnika na osnove zvukotvorcheskoi voli. M.: Muzyka, 1966. 220 s.
  12. Predvechnova E. O. Fortepiannye sonaty N. K. Metnera: osobennosti stilya i semantiki: diss. k. iskusstvovedeniya. Novosibirsk, 2018. 258 s.
  13. Tsytovich V. I. Spetsifika tembrovogo myshleniya B. Bartoka v kvartetakh i v orkestrovykh proizvedeniyakh // Voprosy teorii i estetiki muzyki. L.: Muzyka, 1972. Vyp. 11. S. 147-166.
  14. Budnikov V. V. Coloristic Properties of Piano Music Texture in Nikolai Medtners Works // Journal of Siberian Federal University. Humanities & Social Sciences. 2016. Vol. 9. 6. P. 1443-1450.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru