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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 7. Part 2. P. 189-192. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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EXPOSITION OF RUINED MONUMENTAL PAINTING

Fedorenko Tat'yana Konstantinovna
St. Petersburg State Academic Institute of Painting, Sculpture and Architecture named after I. E. Repin


Abstract. The author covers the problems of ruined monumental painting exposition. Local museum funds have a large number of ruined mural painting fragments. This is quite often the only evidence of one or another phase of temple painting. The return of renewed compositions to original interiors allows getting the insight into ancient ensembles. The pre-required conservation of archaeological painting fragments is necessary in order to ensure the optimal conditions for their storage as well as digital photographic images are necessary for database creation.
Key words and phrases: фрагменты фресок, проблемы экспонирования, руинированная монументальная живопись, fragments of frescoes, problems of exposition, ruined monumental painting.
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