Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Philology. Theory & Practice. 2015. Issue 11-1
COLLECTION:    Varia

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GESTURE AS MEANS OF CREATING POETIC PORTRAIT IN LYRICAL HERITAGE OF N. KAPRANOV

Galina Nikolaevna Bozhkova
Elabuga Institute of Kazan (Volga Region) Federal University

Irina Gennad'evna Shabalina
Secondary school № 10 Yelabuga Municipal District


Submitted: November 1, 2015
Abstract. The literary portrait is an expression of the principle of typification and individualization, as well as an important means of literary image creation. A narrative description of the portrait is enhanced with the help of gestures, facial expressions, behavioural aspects that could indicate the nature of the inner world and the external features of a lyrical hero. The portrait of a poetic heritage of the Kazan poet G. N. Kapranov performs the psychological function, and symptomatic, kinetic gestures indicate it.
Key words and phrases:
художественный портрет
лирический герой
коммуникативные и симптоматические жесты
карпалистический код
художественная деталь
эмотивная полярность
artistic portrait
lyrical hero
communication and symptomatic gestures
Karpalistic code
literary detail
emotive polarity
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References:
  1. Божкова Г. Н. Объектно-субъектная организация лирики Г. Н. Капранова // Филологические науки. Вопросы теории и практики. Тамбов: Грамота, 2013. № 1. С. 30-33.
  2. Григорьева С. А., Григорьев Н. В., Крейдлин Г. Е. Словарь языка русских жестов. М. - Вена: Языки русской культуры; Венский славянский альманах, 2001. 256 с.
  3. Капранов Г. Н. «Я чист, как родниковая вода..». Казань: Идел-Пресс, 2008. 144 с.
  4. Михайличенко Б. С. Проблемы литературоведения: теория литературы: монография. Самарканд: СамГУ, 2009. 182 с.
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